Christ University Theatre Collective — Where theatre is built by hand

Specialist in Arts (Sp.A.) in Acting, Directing, and Theatre Pedagogy from the University of Arts and Culture, Saint Petersburg, Russia. A master trainer in acting and directing, Stage Combat Specialist. Bridges rigorous classical training with innovative modern stagecraft across large-scale commercial hits, interdisciplinary immersive adaptations, and international festival features.

Author of "Stanislavski's Realism as a Relevant Mode of Artistic Production in Contemporary Post-Truth Art" published in The Post-Truth Era, Literature and Media.

A complete visual and narrative auteur. Grounded in literary scholarship and the Stanislavski system, she bridges academic pedagogy with intense, hands-on stagecraft. Her practice encompasses original playwriting, acting, fine illustration, graphic design, technical set fabrication, prop crafting — she manually executes every layer of a production from the ground up.

Her acting credits include Iago in Shakespeare's Othello and Masha in Chekhov's The Seagull.

A versatile performer whose practice spans classical theatre, musical theatre, psychological realism, movement-based performance, and theatre pedagogy. Grounded in the Stanislavski system, guided by the philosophy: "Love the art in yourself, not yourself in the art."

Served as Assistant Director and played Zoltan Karpathy in My Fair Lady's inaugural run, transitioning to Colonel Pickering for the second. Director and Scenographer for Synge's Riders to the Sea and Strindberg's The Stronger.

Kolkata-born theatre actor with training in Bharatanatyam, Western Classical Vocals, and Western dance forms. Her approach integrates movement, voice, and character. Expertise in costume design, props, makeup, and visual storytelling. International training with the Baylor University Theatre Department.

Credits include Lady Bracknell in Earnest, Mrs Pearce in My Fair Lady, and the remarkable site-specific production Somporko Theatre — staged inside a moving Kolkata tram.

A singer, choral conductor, actor, and instrumentalist who bridges musical excellence with theatrical performance across opera, musical theatre, and Western classical choral repertoire. He leads and shapes musical ensembles as conductor and euphoniumist, with professional commitments including the Bangalore Men's Chorus.

Performed as Freddy Eynsford-Hill in My Fair Lady, Simone in Puccini's Gianni Schicchi, and Bass Soloist in Mozart's Requiem.

Grounded in the Stanislavski system and dual-tradition vocal training, she bridges performance authenticity with rigorous technical execution across script analysis, lighting, and stage design. From directing modern classic texts to hands-on hair styling, prop crafting, and financial coordination — she supports productions both onstage and behind the scenes.

Director of Treadwell's Machinal and Molnár's A Matter of Husbands. International devised collaboration with Baylor University.

An actor, singer, dancer, and artist pursuing Theatre Honours at Christ University. Trained extensively in acting, Western Classical and Musical Theatre vocals, ballet, and jazz. A soprano with the Bangalore Cappella Choir, she completed an exchange programme at Baylor University, Texas, studying acting, dance, vocals, Shakespeare, and devised theatre.

Recent credits include Eliza Doolittle in My Fair Lady, Oz in We Will Rock You (South India tour), Cecily Cardew in The Importance of Being Earnest, and Nastasya Timofyevna in The Wedding.

A performer, educator, and multidisciplinary artist grounded in Western classical vocal technique and psychology. Her practice encompasses vocal pedagogy, orchestral performance, acting, and creative collaboration across stage and studio. From clarinet and guitar performance to fine makeup artistry and prop management.

Professional voice acting credits include Toonz Animation and Half Boiled Studios. Vocal Coach with The Mystic Keys (Dubai) and Circle of Fifths (Bengaluru). Trinity Rock & Pop Vocals (Grade 7).